エルパソ限定、エルパソのストリート アート: 壁画ルネッサンス

With comic book films being a massive industry these days, it'd be cool if you put a spot light on the places in the city that keep the stories going and keep local businesses in a good light. Asylum Comics here on the westside comes to mind.

I adore your channel and if you are interested there's a channel I used to produce called West Star Media here on YouTube. I'd love to share ideas with your channel and work with you all if you'd allow me. Keep up the good work and keep the videos coming ^-^

I've seen a some supercool murals in Central El Paso and the warehouses. Bridges are also very nice.
Me and family like to go and find different ones and take pics. We moved to another City, but its nice to identify ourselves with this art.

Dave….love it.

LOVE this <3

The city is fortunate to have these artists beautifying its walls.

Sculpted portait studies the Builders at Giza Plateau placed at the Sphinx Enclosure South and West walls… presenting… ANCIENT SPHINX MURALISTS INSPIRE TRANSFORMATION https://www.youtube.com/watch?v=Kn1e4oczUWI&ab_channel=PerspectivesEnhancementProject_P.O.V._GATEWAY_ Regarding the Sphinx ENCLOSURE some people speak of that which is perhaps mistakenly identified as "erosion" at the southern wall of enclosure of the Sphinx, whose enclosure wall erosion does look so very much just like actual real and true erosion which was intended by the Artists who made those fissures. I say Artists because upon closer examination those erosion areas reveal they were and still remain today designed and sculpted in order to form an abundance of facial features mostly faces in partial display in abstract form. It might be a tapestry and / or mural. Upon the walls reveals half faces divided down the middle of the nose, or isolated areas of a face, or aspects of physiology as a vertically positioned arm with elbow down/hand up, is displayed to be seen at the south west corner. Muralists, Graffiti Artists would be a subgrouping of visual Artists that have trained their eye- brain coordination such that they would more readily piece together the larger picture here. Great Art Class project for students. The idea of using something other than human form to illustrate the human form is seen in the Renaissance Italian painter, "G. Arcimboldo, best known for creating imaginative portrait heads made entirely of such objects as fruits, vegetables, flowers, fish, and books – that is, he painted representations of these objects on the canvas arranged in such a way that the whole collection of objects formed a recognizable likeness of the portrait subject." https://www.google.com/search?q=arcimboldo,+best+known+for+creating+imaginative+portrait+heads+made+entirely+of+such+objects+as+fruits,+vegetables,+flowers,+fish,+and+books+-+that+is,+he+painted+representations+of+these+objects+on+the+canvas+arranged+in+such+a+way+that+the+whole+collection+of+objects+formed+a+recognizable+likeness+of+the+portrait+subject&client=firefox-b-1-d&tbm=isch&source=iu&ictx=1&fir=vvHIVUUI8UzD4M%252Ced5ZCwCEkAOxUM%252C_&vet=1&usg=AI4_-kSqif7N2X4ArwiqAIcHQCsSI7tomg&sa=X&ved=2ahUKEwi8w4zPpsjyAhUSVs0KHbK6C2MQ_h16BAgZEAE#imgrc=vvHIVUUI8UzD4M If I may draw your attention to a revealing discovery at a wall section of the Sphinx enclosure south east corner. A still frame from a HD Brien Foerester Sphinx video is not so much modified but re-contextualized and re-focused by removing visual "noise" interfering with the topic paradigm's point of view which is Facial Features NOT Erosion Fissures. By executing in approximate sequential order: 1) cropping out the enclosure floor at the ground & used the Mirror function to reflect the portion of remaining "fissure" imagery which is now symmetrical, Next,(2) re-oriented the initial "ancient erosion" psychological POV of the resulting " erosion fissure" imagery by (2a) Introducing a separate and different photograph of the face of a human model lying on their right side and facing you, eyes closed as if they might be asleep at the bottom of a swimming pool that had drained but stopped just half way down the face and you can see the facial reflection in the water's surface thus completing a full and abstract, recognizable symmetrical facial presentation. Next, (3) returned to south enclosure wall and now physically re-oriented the aforementioned resulting image from a horizontal to a vertical position, (4) Next the Gamma turned down to lower value, the contrast and color was turned to higher values to bring out any visual nuances, and since my theory was that the enclosure was a type of a mixing pool reservoir serving the pyramid complex's MHD machinery and that if the pool moved water then the figures on the wall features would be seen through moving water Thus (5) I added a visual Rippling effect hoping to achieve a similar effect to water's refraction/reflection/visual dynamics and Finally (6) vertically moved the "camera" up and down the still photo to appreciate each segment / section. The composite at first seemed like a Totem Pole arrangement. This discovery was startling but even More startling is that the "rippling' effect in effect stretched open some of the 'erosion fissures' opened up a little wider and lo and behold some of them held in the proper location and orientation a human looking EYE, of piercing color value and circularity. I opine that within that image of the Eye is very likely stored Digital Information. It would be a good place to secrete it and a good clue as to its possible Identity. It would do no harm to take a quick High Rez photo capture and bring on the analysis. Perhaps ScanPyramids Project or someone other has already done a Laser Scan of the Sphinx Enclosure. Either way this FACIAL IMAGERY is Not Nothing! "ABSTRACT FACIAL PORTRAITS SCULPTED NOT EROSION INTO ENCLOSURE WALL SURROUNDING the GREAT SPHINX" https://www.youtube.com/watch?v=Kn1e4oczUWI&ab_channel=PerspectivesEnhancementProject_P.O.V._GATEWAY_ -Bill Johnson and Samuel Cox.